By Joseph Crawford
This booklet examines the connections among the expansion of'terror fiction' - the style referred to now as 'Gothic' - within the past due eighteenthcentury, and the simultaneous visual appeal of the conceptual origins of'terrorism' as a class of political motion. within the 1790s, Crawford argues, fourinter-connected our bodies of writing arose in Britain: the historic mythology ofthe French Revolution, the political rhetoric of 'terrorism', the style ofpolitical conspiracy conception, and the literary style of Gothic fiction, identified atthe time as 'terrorist novel writing'. All 4 our bodies of writing drew heavilyupon each other, as a way to articulate their shared experience of the unconventional andmonstrous otherness of the extremes of human evil, a feeling which used to be rather newto the eighteenth century, yet has remained significant to the ways that wehave idea and written approximately evil and violence ever since.
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Additional resources for Gothic Fiction and the Invention of Terrorism: The Politics and Aesthetics of Fear in the Age of the Reign of Terror
Gothic Fiction and the Invention of Terrorism: The Politics and Aesthetics of Fear in the Age of the Reign of Terror by Joseph Crawford