By Anne Swartz
Issues surrounding the transformation of the song in Russia, the function of ladies as buyers and performers, the exportation of tools to the Russian a long way East, and the advanced procedure of price lists and alternate safeguard that benefited household piano brands offer this book’s thematic hyperlinks. Conclusions point out that whereas favorable tariff legislation and state-imposed monetary rules benefited the family-owned corporations within the 19th century, they remained in influence within the many years after the nationalization of the piano in 1917.
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Piano Makers in Russia in the Nineteenth Century by Anne Swartz