By Dino Franco Felluga
Once the dominant literary shape, poetry was once progressively eclipsed by way of the realist novel; certainly, by way of 1940 W. H. Auden used to be capable of notice, “Poetry makes not anything happen.” within the Perversity of Poetry, Dino Franco Felluga explores the cultural heritage of poetry’s marginalization through interpreting nineteenth-century reactions to Romantic poetry and beliefs. concentrating on the paintings of Sir Walter Scott and Lord Byron, in addition to periodical studies, pupil manuals, and modern scientific journals, the publication info the period’s contending (and both outrageous) claims relating to poetry. Scott’s poetry, at the one hand, was once constantly represented as a panacea for a contemporary international overtaken by means of new rules of utilitarianism, capitalism, industrialism, and democracy. Byron’s, in contrast, used to be represented both as a melanoma within the center of the social order or as a contagious pandemic resulting in a variety of pathological indicators. The e-book concludes with a coda on Alfred Lord Tennyson, which illustrates how the Victorian reception of Scott and Byron affected the most well-liked poetic genius of midcentury. eventually, The Perversity of Poetry uncovers how the shift to a rhetoric of overall healthiness allowed critics to oppose what they perceived as a powerful and possibly harmful impression at the age, the very factor that might over the process the century be marginalized into such obscurity: poetry, due to its perverse insistence on making anything happen.
Dino Franco Felluga is affiliate Professor of English at Purdue University.
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The Perversity of Poetry: Romantic Ideology and the Popular Male Poet of Genius by Dino Franco Felluga